As a fiction writer and animal studies scholar, I’m always looking for strange historical anecdotes about human/animal relationships and literary works that help me view humanity’s complex historical relationship with our fellow creatures through fresh eyes. As these books show, whenever humans write about animals, we also write about personhood, bodily autonomy, coexistence, partnership, symbiosis, spectacle, sentience, and exploitation—themes perpetually relevant to what it means to be human!
I wrote Horse Show with just two rules in mind. Each story should include a horse (or mule or horse-like object), and a show—whether that's a TV series, a movie, a roadside attraction, a stage show, or a photograph.
From the tale of a horse-themed rollercoaster on Coney Island to a feminist retelling of Mr. Ed, the thirteen short stories in Horse Show explore how we humans have used, abused, and admired horses throughout American history.
This book immediately caught my eye with its cheeky Prince quote-as-title, then blew me away with Passarello’s meticulously researched, elegantly crafted essays, each centering around a different animal from world history.
Passarello’s prose is lyrical, whether she’s dramatizing Mozart’s creative correspondence with his pet starling, introducing us to “Mike, the headless chicken,” or whimsically “finishing” Christopher Smart’s famed 18th-century paean to his beloved cat Jeoffry.
Reading this book feels like visiting a combination zoo/museum with my smartest animal-loving friend.
Beginning with Yuka, a 39,000 year old mummified woolly mammoth recently found in the Siberian permafrost, each of the 16 essays in Animals Strike Curious Poses investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life.
Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives…
Colin Dayan’s book is a memoir of her 1960s Southern childhood, so lushly described that I can smell the magnolias. Using the fauna of her youth as touchstones, Dayan’s interrogations of race, gender, and place illuminate how Americans treat animals and each other.
Her research into the song “The Old Gray Mare” becomes a meditation on female aging and filial tension. Photographs of the violent bullfights her parents enjoyed on their honeymoon seem prescient considering their doomed marriage.
Meanwhile, Lucille, Dayan’s African-American nanny, forms the book’s emotional core. She takes her young charge, Possum, hunting while teaching her how unfairly humankind excludes beings they deem “less-than.”
Colin Dayan meditates on the connection between her personal and family history and her relationship with animals in this lyrical memoir about her upbringing in the South. Unraveling memories alongside family documents and photographs, Animal Quintet takes a raw look at racial tensions and relations in a region struggling to change while providing a disquieting picture of a childhood accessible only through accounts of the non-human, ranging from famed Southern war horses led by Civil War generals and doomed Spanish fighting bulls to the lowly possum hunted by generations of Southerners. Placing the reader in the mind's eye of a…
Grounded in philosophy and law, Thalia Field’s book explores how human/animal relationships are codified by human systems. Like Field’s other ecocritical work, this one is formally bold, blurring the lines between lyric essay and poetry.
I am particularly intrigued by 'Happy/That You Have The Body (The Mirror Test),' where Field uses the legal concept of habeas corpus and the Mirror Self-Recognition test to discuss the rights of a captive elephant named Happy, isolated from her own kind for 40 years.
This book is exactly the kind of animal writing I love because each piece asks loudly why “some animals are more equal than others.”
Whether investigating refugee parrots, indentured elephants, the pathetic fallacy, or the revolving absurdity of the human role in the "invasive species crisis," Personhood reveals how the unmistakable problem between humans and our nonhuman relatives is too often the derangement of our narratives and the resulting lack of situational awareness. Building on her previous collection, Bird Lovers, Backyard, Thalia Field's essayistic investigations invite us on a humorous, heartbroken journey into how people attempt to control the fragile complexities of a shared planet. The lived experiences of animals, and other historical actors, provide unique literary-ecological responses to the exigencies of injustice and…
Hannah Tinti’s debut collection is a darkly funny book of stories about how people coexist with animals. The stories are both harrowing and heartfelt. Her sense of humor is just the right level of disturbing for me.
Slim’s Last Ride, the bizarre tale of a little boy convinced his pet rabbit can fly, narrated by his equally unwell mother, realistically depicts mental illness and dysfunction.
How To Revitalize the Snake in Your Life is an icy revenge fable involving an ex-boyfriend’s abandoned snake, repurposed as dinner.
Unlike my other picks, many animals in this one are inconvenient, unwanted, or misunderstood by their human companions, leading to tension and danger.
A zoo worker, cautiously washing down Marysue the elephant, thinks of the strange, grim stories his co-workers have told him about their lives. Giraffes in another zoo demand better living conditions and stage a mock group suicide to attract public notice. A girl escapes her repressive finishing school by running off with her lover to the African jungle but takes longer to give the slip to the private detectives hired by her father. Hannah Tinti s debut collection combines the virtues of traditional story-telling with utter freshness and modernity. Snake or dog, buffalo or turkey, the animals in her brilliant,…
For me, this book is a master class on using animals to write about humans without losing sight that animals aren’t human at all. It’s also laugh-out-loud hilarious because each story here is based on a real celebrity’s fateful encounter with an animal—and Millet uses a delightfully broad and irreverent definition of “celebrity.”
In this book, Noam Chomsky tries to sell a used gerbil habitat, Sharon Stone’s journalist husband is bitten and infected by a komodo dragon, and Madonna, in her British accent phase, shoots a pheasant badly. Millet’s precise prose satirically skewers our relationship with celebrities and creatures, inviting us to reconsider both.
Animals and celebrities share unusual relationships in these hilarious satirical stories by an award-winning contemporary writer.
Lions, Komodo dragons, dogs, monkeys, and pheasants―all have shared spotlights and tabloid headlines with celebrities such as Sharon Stone, Thomas Edison, and David Hasselhoff. Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with famous people and pop culture in a wildly inventive collection of stories that “evoke the spectrum of human feeling and also its limits” (Publishers Weekly, Starred Review).
While in so much fiction animals exist as symbols of good and evil or as author…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a life on the streets? A dizzying ride between past and present, the novel unravels these mysteries, just as Eddie has decided to return to society after two decades on the streets, with the help of Jane, a woman whose intelligence and integrity rival his own. Will he succeed, or is it too late?
In the tradition of Graham Greene, this is a book about love, betrayal, and life’s heavenly music
“Crazy Eddie” is a homeless man who inhabits two squares of pavement in front of a bank in downtown Halifax, Nova Scotia. In this makeshift office, he panhandles and dispenses his peerless wisdom. Well-educated, fiercely intelligent with a passionate interest in philosophy and a profound love of nature, Eddie is an enigma for the locals. Who is he? Where did he come from? What brought him to a life on the streets? Though rumors abound, none capture the unique worldview and singular character that led him to withdraw from the perfidy and corruption of human beings. Just as Eddie has…
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